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This perennially popular Norton Critical Edition reprints for the first time the definitive Iowa-California text of Adventures of Huckleberry Finn, complete with all original illustrations by Edward Windsor Kemble and John Harley. The text is accompanied by explanatory annotations.
"Contexts and Sources" provides readers with a rich selection of documents related to the historical background, language, composition, sale, reception, and newly discovered first half of the manuscript of Mark Twain's greatest work. Included are letters on the writing of the novel, excerpts from the author's autobiography, samples of bad poetry that inspired his satire (including an effort by young Sam Clemens himself), a section on the censorship of Adventures of Huckleberry Finn by schools and libraries over a hundred-year period, and commentary by David Carkeet on dialects of the book and by Earl F. Briden on its "racist" illustrations. In addition, this section reprints the full texts of both "Sociable Jimmy," upon which is based the controversial theory that Huck speaks in a "black voice," and "A True Story, Repeated Word for Word As I Heard It," the first significant attempt by Mark Twain to capture the speech of an African American in print.
"Criticism" of Adventures of Huckleberry Finn is divided into "Early Responses" (including the first negative review) and "Modern Views" by Victor A. Doyno, T. S. Eliot, Jane Smiley, David L. Smith, Shelley Fisher Fishkin (the "black voice" thesis), James R. Kincaid (a rebuttal of Fishkin), and David R. Sewell. Also included is Toni Morrison's moving personal "Introduction" to the troubling experience of reading and re-reading Mark Twain's masterpiece.
“A Chronology and Selected Bibliography” are also included.
- Sales Rank: #42790 in Books
- Published on: 1998-12-17
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x 1.30" w x 5.60" l,
- Binding: Paperback
- 416 pages
Amazon.com Review
Mark Twain's classic novel, The Adventures of Huckleberry Finn, tells the story of a teenaged misfit who finds himself floating on a raft down the Mississippi River with an escaping slave, Jim. In the course of their perilous journey, Huck and Jim meet adventure, danger, and a cast of characters who are sometimes menacing and often hilarious.
Though some of the situations in Huckleberry Finn are funny in themselves (the cockeyed Shakespeare production in Chapter 21 leaps instantly to mind), this book's humor is found mostly in Huck's unique worldview and his way of expressing himself. Describing his brief sojourn with the Widow Douglas after she adopts him, Huck says: "After supper she got out her book and learned me about Moses and the Bulrushers, and I was in a sweat to find out all about him; but by and by she let it out that Moses had been dead a considerable long time; so then I didn't care no more about him, because I don't take no stock in dead people." Underlying Twain's good humor is a dark subcurrent of Antebellum cruelty and injustice that makes The Adventures of Huckleberry Finn a frequently funny book with a serious message.
From Publishers Weekly
Considered the first great American novel, part of Finn's charm is the wisdom and sobering social criticism deftly lurking amongst the seemingly innocent observations of the uneducated Huck and the even-less-educated escaped slave, Jim. William Dufris's voice, unpretentious and disarming, like the book's main characters, seems the perfect armature on which to hang this literary strategy. Although he does an expert job with the entire cast, Dufris's delivery of Jim's dialogue is his crowning achievement. Out of context, Dufris's Jim might sound mocking and racist, due to his expert delivery of Twain's regional vernacular. Ignorance and intelligence, however, are not mutually exclusive, and taken as a whole, Jim's mind and heart come shining through, allowing the listener to reflect on their own assumptions. Tantor Media includes the entire text as a digital e-book on the final CD, a wise and thoughtful move in a market with swift and changing currents.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Grade 9 Up-All the highwater tales of Huck's journey are in this abridged versionAhis faked death, the Jackson Island sojourn, the Grangerford-Shepherdson feud, the Duke and the King, and his reunion with Tom Sawyer. Along the way, we are treated to a sensual feast of the sights, smells, and rhythms of the Mississippi River and the humanistic education of Huck that culminates in his assisting in Jim's escape. The familiar adventures of Huck and runaway slave Jim's odyssey on a raft floating down the Mississippi have been well documented previously in audio format with noted versions read by Ed Begley, Will Wheaton (both from Dove), and the 1985 Grammy nominated Durkin Hayes production read by Dick Cavett. This version, beautifully read by actor Mike McShane, is a wonderful contribution to the recorded Twain canon. McShane handles multiple characterizations well, but excels in Huck's folksy narrative voice and Jim's understated power and dignity. School and public libraries should not miss this excellent rendition.
Barry X. Miller, Austin Public Library, TX
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
3 of 3 people found the following review helpful.
There has been nothing as good since. ” I do find the language jarring
By John Sieben
Don't read my review. Read what Hemingway has to say about Huckleberry Finn. I can't resist a short Hemingway quote: “All modern American literature comes from one book by Mark Twain called Huckleberry Finn. American writing comes from that. There was nothing before. There has been nothing as good since.”
I do find the language jarring. The repeated use of what we now refer to as "the N word" is regrettable, though I am sure the language is historically accurate. The story takes place in a time when other human beings were held as chattel, bought and sold, families broken up at the whim of a legal owner. That's the sin, not what name was put on the enslaved people.
Also, as Hemingway also observes, the final chapters, devoted to Tom Sawyer's plots to free Jim, get tedious.
All in all, a great read.
2 of 2 people found the following review helpful.
Frustrating
By D. Wolowsky
What I like:
Mississippi River stuff.
Twains pointing out the Hypocrisies of the slave owners and Southern whites. (I'm a southern white).
Huck's maturation as he and Jim travel down the River.
Huck's inner thoughts and the conclusions that he reaches regarding God, good and evil, black and white, and life in general.
What I didn't like:
Much of Twain's humor isn't humorous.
More unnecessary lying than the story requires. Tedious yarns that Huck spins that are often too long to hold my interest.
The return of Tom Sawyer thereby rendering Huckleberry an idiot again. The several chapters pertaining to the goings on at Aunt Sally's reflected poorly on all concerned and were painful to wade through. I don't understand the authors intent although I don't pretend to be the sharpest bulb in the drawer.
I will long remember some of Jim and Huck's adventures and many of Mark Twain's observations. Having said that I'm afraid I can't think of one person to whom I would recommend the book.
5 of 5 people found the following review helpful.
Classic Writing, Fine Illustration; Quality Paper and Printing
By James Ellsworth
I bought this particular edition of 'Huckleberry Finn' for the few but wonderful illustrations done by Scott McKowen. I already owned a gallery-sized digital print of the cover art and I wanted to document where it came from. I also purchased a 'critical edition' of the work with scholarly annotations by Michael Patrick Hearn. Both editions have their strong points: the Sterling Classic edition is a convenient bedside format and the text, without scholarly annotations, reads easily--like any 'regular' book. The Norton critical edition is sufficiently larger in size to be harder to hold. Its purpose is to inform the reader about Mark Twain, the influences on his writing and his aims in writing 'Huckleberry Finn.' There are columns of text along side of columns of notes on every page.
Readers of this review are going to ask: "who is HE to review perhaps the greatest work of fiction in American literature?" I have a literary education and am both a reader and a writer. That helps. I first read 'Huckleberry Finn' as a youth and I marveled at the unfamiliar world of the Mississippi River valley and the unfamiliar time in the history of our country. I read the work purely for its adventure. There is plenty of that. Even today, when readers are more sensitive to the struggle for Civil Rights for all Americans...and when regional dialects are possibly of little interest, the book holds up well as an adventure and as a coming of age story. Most teens will sympathize with Huck's desire for freedom from adult supervision. This has its parallel in Jim's desire for freedom from slavery as an adult. Mark Twain is also spinning a 'yarn' about a young nation and about a frontier full of people who are very resistant to 'gentrification' along 'Eastern' or European lines of civilization and manners.
The professional literary critics who have applied their talents to this book feel that Twain not only spun a yarn but that he spun the book out with a padded and unsatisfying third quarter where Tom Sawyer is brought back into the story to little good purpose. Ever mindful of his commercial market, Twain tried everything he knew to attract readers. He was famed as a humorist but he didn't hesitate to descend into burlesque where he thought that would boost sales. American authors also relied on salesmen to solicit subscriptions to works, releasing sections of the book in sequence over time at attractive prices. Longer works meant a higher overall price for a complete work. It appears that Commerce trumped Art in the final parts of 'Huckleberry Finn.'
Readers with an advanced interest in American literature will likely relish the careful report of local color championed by Twain and Ambrose Bierce (et al.) and 'Huckleberry Finn' is still widely admired for its nuanced treatment of local dialects and usage in the development of American English. Those features are present on the page of both editions but are only explained for the uninitiated in the Norton critical text edition.
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